Lecture with visiting Artist in Residency Karina Nimmerfall

Location: v.arc Common Area, Valand Artistic Research Centre
Valand School of Fine Art, Vasagatan 50, entrance Teatergatan
Time: 16:00 – 17:30  Wednesday 2 May

Karina Nimmerfall is a visual artist based in Berlin, Germany. Her projects are generated from concerns found in the reciprocal relations of architecture, media and the perception of space within a globalized world and aim to form an investigation around the impact of image production within media, politics and real estate; not only architecture and urban settings themselves, but also on a variety of concepts surrounding the construction of reality, memory and history.

Karina Nimmerfall studied Visual Arts at the Hochschule für bildende Künste in Hamburg, Germany and Art History at the University of Vienna, Austria. She recently has been the Visiting Artist-in-Residence in the Graduate Studies Program at Art Center College of Design in Pasadena (2010-2011) and was also awarded a fellowship at the Cité Internationale des Arts in Paris (2007) and the MAK Center for Art and Architecture in Los Angeles (2002), amongst others. Her work has been shown internationally including at Las Cienegas Projects, Los Angeles (2011); BAWAG Contemporary, Vienna; Kasseler Kunstverein, Germany (2009); Göteborgs Konsthall; Kunstverein Medienturm, Graz (2008) and Landesgalerie Linz, Austria (2007). Her work was also included in the Bucharest Biennale 3 in 2008 and the 8th Havana Bienale in 2003.

 

wed on’t understand ea chot her.

C:Art MFA Masters Thesis Exhibition
Valand School of Fine Art
University of Gothenburg
29th April – 19th May 2012

Opening Reception
28th April 2012, 2 – 4 pm

C:Art MFA, in conjunction with Vasa Konsthall, is pleased to present wed on’t understand ea chot her., the Master Thesis exhibition of six graduating international C:Art students:

Nantapat Choothanaisawan (Thailand) presents Bark, comprising two sculpture installations adapting found objects and organic materials, accompanied by a suite of abstract drawings. The artist questions intersections of the natural world and the built environment, proposing elegant reconfigurations of hybrid habitats appropriated from her studio and the local Gothenburg parks and woods.

Arnar Steinn Fridbjarnason (Iceland) presents Reconstructing Reality, an installation incorporating light and sound. The artist juxtaposes the mythic spirituality of a contemporary Icelandic farmer with cutting-edge scientific research in which light is generated in a vacuum.

Verena Gillmeier (Germany) hosts Art School, an improvised art academy held on-site at Vasa Konsthall for the three-week duration of the exhibition. Offering project-based classes on subjects ranging from philosophy to Japanese flower arranging, Gillmeier explores contemporary art pedagogy while highlighting the opportunity that art and study offer for social congregation and interaction. A schedule of events is available at Vasa Konsthall and posted online.
(www.art-school.tumblr.com)

Paul Hage Boutros (Lebanon) presents Assembly-1, a large-scale wooden sculpture comprising 10 discrete pieces assembled to construct a complex geometric form. The sculpture is made exclusively of offcuts and leftovers salvaged by the artist from the Valand student wood workshop over one year. The composition of form and material is derived through the poetic interplay of found material and structural balance.

Adrien Siberchicot (France) presents Discontinuous Lines, a project including five works entitled Dotted Lines, Parasols, Discontinuous Horizon, Transatlantique and Fata Morgana; three installations, one photograph, and a continuous video loop. Each work explores notions of landscape in deft and paradoxical constructions that simultaneously objectify and dematerialize contemporary rituals and artifacts of travel and tourism.

Helena Stefansdottír (Iceland) presents a new two-channel film, Pas de trois, shot on location in Reykjavik Harbor. Pas de trois is a love story, offering the tandem perspectives of two lovers through the synchronized movement of camera and gesture, without dialogue and scored with the ambient soundscape en plein air.

The exhibition is accompanied by an illustrated catalogue, designed and produced by C:Art students in consultation with Zürich-based designer Marion Delhees, principal of the design firm lookinglately, LLC. The exhibition catalogue features photo documentation of the works on view by 2011 Hasselblad Fellow David Molander (MFA, School of Photography, University of Gothenburg, 2010) and texts by Jane Philbrick (artist and C:Art Programme Director), with Nils Olsson (editor, C:Art Theory teacher, and Senior Lecturer at the Department of Literature, History of Ideas, and Religion, University of Gothenburg.)
The exhibition catalogue, wed on’t understand ea chot her., will be available in a book release celebration at Vasa Konsthall May 12, 2012.

Vasa Konsthall
Läraregatan 3
41133 Göteborg

www.vasakonsthall.se

Opening hours:

Tuesday – Thursday: 12 noon – 6 pm
Friday: 12 noon – 5 pm
Saturday – Sunday: 12 noon – 4 pm

FIELD OFFICE in Glasgow: Exhibition and Events program

25th April -7th – May 2012, 1pm-6pm
Opening: 25th of April 2012 6pm-9pm

Live DJ set by Belle and Sebastian
International Panel Discussion: 27th of April  6 pm – 8pm

Repositioned Gallery
1203 Argyle Street, Glasgow, G3 8TQ.
http://www.repositioned.co.uk

info@repositioned.co.uk

+44 (0)794 393 6284
fieldofficeglasgow@gmail.com

Let’s make the gallery our home. No…let’s make it an office.

FIELD OFFICE combines a space for exhibiting work and a place for doing work. With an understanding of a field office as an outpost for a series of explorations, conducted as fieldwork within the city, this project serves as a platform for a series of individual and collaborative art works and events surveying, passing through and engaging with Glasgow.

Hosted by Glasgow’s Repositioned Gallery, FIELD OFFICE is organised by first year Masters students from the Valand School of Fine Arts at the University of Gothenburg, Sweden. The project coincides with the Glasgow International Festival, connecting with this event while also extending into Glasgow’s local art scene.

Open beyond regular working hours, FIELD OFFICE will serve also function as a site for lunchtime meetings, and overtime events.

FIELD OFFICE is Matilde Duus, Kim Johansson, Jan Marius Kiøsterud, Gustav Lejelind, Sara Lindeborg, Tomas Lundgren, Niklas Persson, Hannah Marie Rosvoll, Nils Elvebakk Skalegård, Miriam Thorpe, Mikael Vesavouri and Fredrik Åkum.

Free Public Events: Begin at 18:00 in Repositioned
Booking is not required but numbers are limited so please be prompt.

27th April:  Presentations and Panel Discussion: Artist as Operato
Representatives from Sweden and Glasgow discuss the conditions and circumstances by which artists become active in the development of a cultural scene.
Panellists include: artist Ross Sinclair, writer Sarah Lowndes, artist Signe Vad and Mikael Nanfeld, director of the Gothenburg Konsthallen.

28th April: Overtime
We need you for overtime! An evening of events and performances with Glasgow School of Art students

29th April: Working Late
Working Late at Field Office: Bring your own Chinese takeaway

For further info visit fieldofficeglasgow.tumblr.com


Elke Marhöfer, 25% Doktorand seminar

Doktorand seminar and after discussion on the 25th April:

Place: Bio Roy and v.arc Common Area, Valand Scool of Fine Art, Vasagatan 50, (entrance Teatergatan)

Schedule:

13:00 -14:00 film screening of Ani, Nan DooKKeobiga Anigo Geobuk-ee Yo! (No, I am not a toad, I am a turtle!) at Roy Cinema on Kungsportsavenyn 45 (free entrance!).
14:15 – 15:30 opposition/discussion at v.arc. Corinne Diserens will respond to Elke’s work and research followed by a conversation between Corinne and Elke.
15:30 -16:00 discussion with all

About the work

Ani, Nan DooKKeobiga Anigo Geobuk-ee Yo! (No, I am not a toad, I am a turtle!)
Elke Marhöfer
(Germany, 2012, 50 min, Video, Original with English subtitles)

Elke Marhöfer’s observational essay takes its title from a Korean Pansori song. One of three musical interludes performed in the film, this song tells the story of a turtle locked in a futile circle of evasion with a hungry tiger. Marhöfer’s film is concerned with the formal attributes of Pansori music – its traditions of storytelling and the transmittance of an alternative knowledge. The film journeys through natural landscapes, small town streets, forested mountains and busy shipping channels as it looks at the divide between the traditional and the modern. Shot in 16mm, this measured and lyrical film is an exploration into the boundaries between humans, animals and things.

About the publication

Elke Marhöfer No, I am not a toad, I am a turtle
Berlin: March 2012
Language: English
Softcover: 128 pages including a DVD, 20,5 x 29,7, full-color
ISBN 978-3-943620-00-9
Editor: Elke Marhöfer and Paolo Caffoni
Publisher: Archive Books
Series: Continuous Cinema #1
Price: 22,00 EUR

With contributions by Anselm Franke, Lee Bo Hyung, Fredrik Svensk, Elke Marhöfer, Monica Fernandez, Maebelle Ruth Brines, Oh Eunja and Go Eulseang.

Read more about the Continuous Cinema Series here:
http://www.archivebooks.org/

 

 

KONSTLAB

MONDAY 23 APRIL
Welcome to the season´s third and last KonstLab

PLACE: Atalante, Övre Husargatan 1
TIME: 7 p.m.

In collaboration with Atalante the Faculty of Fine, Applied and Perfoming arts arranges a series of public talks about artistic research and development. Invited artists talk about their methods and processes – about unpredictable events, thoughts and critical considerations – underlying the art work or the research project.

Program Monday April 23 7 p.m:
Maja Hammarén: Elva år senare. Sketches for a re-enactment, performative presentation.
Patrik Eriksson: Att finna rätt ton. About text, image and tone in filmmaking.
Moderator: Ole Lützow-Holm.

Free admission.

Read more about the participating artists here: http://www.atalante.org/blogg.asp?id=38

For previous presentations/KonstLab, see: http://vimeo.com (type ”konstlab” in search engine)